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Spiny chanson from Muzmo
Russian chanson is heard in the radio tape recorder's radio, at train stations, in long-distance trains, in a kiosk near the house - everywhere there are songs about an illegal thief's share. It is about her and a new selection from the editorial Muzmo, which can be downloaded here or in the appendix and listen wherever the soul desires. The roots of the genre are old Russian songs: robbery, convict or prison. The songs are not older than the 16th century, but there are references to robbers and their "professional" dialect - for example, "saryn on a kichka". The hero of these songs is free from the humiliating physical labor of the serf peasant or the hired factory worker. Folk grassroots culture, as it knows, admires a dashing way free from obligations, except for an honest word, a person. For the servicemen and peasants, whose life was spent in hard work, these images turned into ideal romantic heroes, like Robin Hood - because the songs were popular not only in bandits and prisons, but also among ordinary people. Prison songs were permeated with compassion for the robbers - they sang them as fighters with the injustice of life. And here a certain sensitivity is allowed and even welcomed. Blotny music has long been aroused sympathy in the listener. Paradox: stealing, murder and other crimes the public condemns, and music is attractive with its pity. Zone - a kind of reserve of folklore, a place of preservation of national traditions. It is there that throughout the 20th century and today Russian culture is preserved in its original form. Based on traditional values, the prison subculture turned out to be broader to the masses much closer to high art. Blatnyak is only one side of the chanson; another - beautiful author's songs, and in the middle there is a variety fake, the quality of which depends on the situation in the music market. The mass culture of the chanson appears where the hybrid begins to replicate: the Russian chansonnier is trying to become simultaneously a prisoner unjustly condemned by a simple boy, the son of an old mother, and a poet-prophet like Vladimir Vysotsky. Performers of the criminal line are still popular, but in the texts of new songs, especially those that get on the air of radio stations, there is almost no use for fen and mat, which significantly changes the direction itself. Connoisseurs of the thief song talk about the crisis of the genre and "opopsenii." In part, they are right - the appearance of post-Samson could not go unnoticed. We offer a selection in the best traditions, without denominations and censorship of the central channels and radio stations.
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Songs 1-15 of 46
 Павел Филатов - Судьба арестанская (04:00, 320Kb/s)
 Иван Кучин - Белый лебедь (04:25, 320Kb/s)
 Бутырка - Не крутите глобус (05:01, 320Kb/s)
 Катя Огонек - Звонком из зоны (04:28, 320Kb/s)
 Мафик - Вора (04:22, 256Kb/s)
 Аня Воробей - Мне Подругой Будет Осень (03:55, 320Kb/s)
 Валерий Волошин и гр. Пятилетка - Тайга встречает Март (04:27, 320Kb/s)
 Владимир Высоцкий - ЗК Васильев и Петров ЗК (02:38, 320Kb/s)
 АРМАТУРА - Канары (04:43, 320Kb/s)
 Михаил Круг и Михаил Гулько - Свобода (03:25, 256Kb/s)
 Сергей Наговицын - Сизый (05:30, 256Kb/s)
 Андрей Заря - Этап (04:24, 256Kb/s)
 Михаил Шуфутинский - Конвой (04:36, 192Kb/s)
 Виталий Аксенов - Колокольчики (03:06, 320Kb/s)
 Александр Дюмин - Фраера снимите шляпы (03:28, 320Kb/s)
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Spiny chanson from Muzmo

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